African American Literature

66 poems selected by the author include lyrical poems, songs, and blues, many exploring the black experience

A new collection of poems from award-winning African American poet Frank X Walker. In this creative foray into persona poems, Walker immerses himself in the life of African-American jockey Isaac Burns Murphy (1861-1896). Murphy's legendary career riveted the attention of the nation and established him as one of the greatest jockeys of all time. Walker gives us the voices of Murphy and his wife Lucy, his mentor Eli Jordan, and his parents James and America Burns. A great teaching book on the neglected history of African-Americans in the history of thoroughbred racing, the racial tension of the post-Civil War South and other important themes. The book is a compelling journey into the heart and mind, family and community of America's most celebrated black jockey.

For nearly thirty-five years Julian Mason's The Poems of Phillis Wheatley (1966) has been the standard edition of the poems and letters of this young black poet of eighteenth-century Boston. This new edition has been extensively revised in light of Wheatley scholarship since its publication. It has been expanded to include all of the fifty-six poems and twenty-two letters now known to be by Wheatley, the significant variants of the poems, and the four Proposals for publication of her works, all of them annotated. This edition contains the recently discovered poem "Ocean," new information about Wheatley's library (including a southern connection), a more accurate reading of a letter central to understanding the response to her 1772 Proposals, new variants of two poems, and a new reading of her George Washington poem. By going back to the original manuscripts (and to first printings when the manuscripts are not extant), Mason has provided the fullest and most accurate edition of Wheatley's poems and letters yet produced. The new index and bibliography assure the volume's usefulness for the scholar, the student, and the general reader.

Around the void left by the murder of Medgar Evers in 1963, the poems in this collection speak, unleashing the strong emotions both before and after the moment of assassination. Poems take on the voices of Evers's widow, Myrlie; his brother, Charles; his assassin, Byron De La Beckwith; and each of De La Beckwith's two wives. Except for the book's title,"Turn me loose," which were his final words, Evers remains in this collection silent. Yet the poems accumulate facets of the love and hate with which others saw this man, unghosting him in a way that only imagination makes possible.

Edited by the critically acclaimed Terry McMillan, the award-winning author of five previous novels and recipient of the Essence Award for Excellence in Literature, this is a striking collection of works from contemporary African-American authors, both established and emerging. This is the first original anthology of African-American writing in over a decade. Featuring works by over fifty African-American writers and a preface by John Edgar Wideman, this amazing anthology showcases some of our best contemporary writers, including: Terry McMillan, Clarence Major, Wanda Coleman, Ntozake Shange, John A. Wiliams, Barbara Summers, Ishmael Reed, and Al Young.

Harlan Jane Eagleton is a faith healer, traveling by bus to small towns, converting skeptics, restoring minds and bodies. But before that she was a minor rock star's manager, and before that a beautician. She's had a fling with her rock star's ex-husband and an Afro-German horse dealer; along the way she's somehow lost her own husband, a medical anthropologist now traveling with a medicine woman in Africa. Harlan tells her story from the end backwards, drawing us constantly deeper into her world and the mystery at the heart of her tale - the story of her first healing. The Healing is a lyrical and at times humorous exploration of the struggle to let go of pain, anger, and even love. Slipping seamlessly back through Harlan's memories in a language rich with the textured cadences of the black Southerner, Gayl Jones weaves her story to its dramatic - and unexpected - beginning.

I Am Not Sidney Poitier is an irresistible comic novel from the master storyteller Percival Everett, and an irreverent take on race, class, and identity in America I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation. Percival Everett's hilarious new novel follows Not Sidney's tumultuous life, as the social hierarchy scrambles to balance his skin color with his fabulous wealth. Maturing under the less-than watchful eye of his adopted foster father, Ted Turner, Not gets arrested in rural Georgia for driving while black, sparks a dinnertable explosion at the home of his manipulative girlfriend, and sleuths a murder case in Smut Eye, Alabama, all while navigating the recurrent communication problem:"What's your name?" a kid would ask. "Not Sidney," I would say. "Okay, then what is it?"

ONE OF TIME'S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY   With its first great victory in the landmark Supreme Court decision Brown v. Board of Education in 1954, the civil rights movement gained the powerful momentum it needed to sweep forward into its crucial decade, the 1960s. As voices of protest and change rose above the din of history and false promises, one voice sounded more urgently, more passionately, than the rest. Malcolm X--once called the most dangerous man in America--challenged the world to listen and learn the truth as he experienced it. And his enduring message is as relevant today as when he first delivered it.   In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement to veteran writer and journalist Alex Haley . In a unique collaboration, Haley worked with Malcolm X for nearly two years, interviewing, listening to, and understanding the most controversial leader of his time.   Raised in Lansing, Michigan, Malcolm Little journeyed on a road to fame as astonishing as it was unpredictable. Drifting from childhood poverty to petty crime, Malcolm found himself in jail. It was there that he came into contact with the teachings of a little-known Black Muslim leader renamed Elijah Muhammad. The newly renamed Malcolm X devoted himself body and soul to the teachings of Elijah Muhammad and the world of Islam, becoming the Nation's foremost spokesman. When his conscience forced him to break with Elijah Muhammad, Malcolm founded the Organization of Afro-American Unity to reach African Americans across the country with an inspiring message of pride, power, and self-determination.   The Autobiography of Malcolm X defines American culture and the African American struggle for social and economic equality that has now become a battle for survival. Malcolm's fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time.   The Autobiography of Malcolm X stands as the definitive statement of a movement and a man whose work was never completed but whose message is timeless. It is essential reading for anyone who wants to understand America.   Praise for The Autobiography of Malcolm X   "Malcolm X's autobiography seemed to offer something different. His repeated acts of self-creation spoke to me; the blunt poetry of his words, his unadorned insistence on respect, promised a new and uncompromising order, martial in its discipline, forged through sheer force of will."--Barack Obama, Dreams from My Father "Extraordinary . . . a brilliant, painful, important book."--The New York Times   "A great book . . . Its dead level honesty, its passion, its exalted purpose, will make it stand as a monument to the most painful truth."--The Nation   "The most important book I'll ever read, it changed the way I thought, it changed the way I acted. It has given me courage I didn't know I had inside me. I'm one of hundreds of thousands whose lives were changed for the better."--Spike Lee   "This book will have a permanent place in the literature of the Afro-American struggle."--I. F. Stone

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou's debut memoir is a modern American classic beloved worldwide.   Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local "powhitetrash." At eight years old and back at her mother's side in St. Louis, Maya is attacked by a man many times her age--and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors ("I met and fell in love with William Shakespeare") will allow her to be free instead of imprisoned.   Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read.   "I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity."--James Baldwin

Have you ever read a great classic and come across an unfamiliar word? There are many editions of The Narrative of the Life of Frederick Douglass: An American Slave. This one is worth the price if you would like to enrich your vocabulary, whether for self-improvement or for preparation in advance of entrance examinations. Each page is annotated with a mini-thesaurus of uncommon words highlighted in the text. Not only will you experience a great classic, but learn the richness of the English language with synonyms and antonyms at the bottom of each page.

America's foremost novelist reflects on the themes that preoccupy her work and increasingly dominate national and world politics: race, fear, borders, the mass movement of peoples, the desire for belonging. What is race and why does it matter? What motivates the human tendency to construct Others? Why does the presence of Others make us so afraid? Drawing on her Norton Lectures, Toni Morrison takes up these and other vital questions bearing on identity in The Origin of Others. In her search for answers, the novelist considers her own memories as well as history, politics, and especially literature. Harriet Beecher Stowe, Ernest Hemingway, William Faulkner, Flannery O'Connor, and Camara Laye are among the authors she examines. Readers of Morrison's fiction will welcome her discussions of some of her most celebrated books--Beloved, Paradise, and A Mercy. If we learn racism by example, then literature plays an important part in the history of race in America, both negatively and positively. Morrison writes about nineteenth-century literary efforts to romance slavery, contrasting them with the scientific racism of Samuel Cartwright and the banal diaries of the plantation overseer and slaveholder Thomas Thistlewood. She looks at configurations of blackness, notions of racial purity, and the ways in which literature employs skin color to reveal character or drive narrative. Expanding the scope of her concern, she also addresses globalization and the mass movement of peoples in this century. National Book Award winner Ta-Nehisi Coates provides a foreword to Morrison's most personal work of nonfiction to date.

The monumental bestseller! Alex Haley recaptures his family's history in this drama of eighteenth-century slave Kunta Kinte and his descendants.

In this groundbreaking work, Patrice D. Rankine asserts that the classics need not be a mark of Eurocentrism, as they have long been considered. Instead, the classical tradition can be part of a self-conscious, prideful approach to African American culture, esthetics, and identity. "Ulysses in Black" demonstrates that, similar to their white counterparts, African American authors have been students of classical languages, literature, and mythologies by such writers as Homer, Euripides, and Seneca. "Ulysses in Black" closely analyzes classical themes (the nature of love and its relationship to the social, Dionysus in myth as a parallel to the black protagonist in the American scene, misplaced Ulyssean manhood) as seen in the works of such African American writers as Ralph Ellison, Toni Morrison, and Countee Cullen. Rankine finds that the merging of a black esthetic with the classics contrary to expectations throughout American culture has often been a radical addressing of concerns including violence against blacks, racism, and oppression. Ultimately, this unique study of black classicism becomes an exploration of America s broader cultural integrity, one that is inclusive and historic. Outstanding Academic Title, "Choice" Magazine"

'The impressive array of scholars gathered in this collection, all experts in the field, read the plays with nuance and situate them deftly within their cultural and historical contexts. Scholars of contemporary theater and drama and of African American literature will find value in this engaging collection.' - Choice 'For students and scholars of American theatre and drama generally and African American theatre and drama most particularly, this is an extremely valuable critical source.' - Harry Elam,  Stanford University, USA In the last fifty years, American and World theatre has been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrightsis the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas. Kolin compiles a wealth of new essays, comprising: Yale scholar David Krasner on the dramatic legacy of Lorraine Hansberry, Zora Neale Hurston, Marita Bonner and Georgia Douglas Johnson individual chapters devoted to: Alice Childress, Sonia Sanchez, Adrienne Kennedy, Ntozake Shange, Pearl Cleage, Aishah Rahman, Glenda Dickerson, Anna Deavere Smith and Suzan Lori-Parks an essay and accompanying interview with Lynn Nottage comprehensive discussion of attendant theatrical forms, from choreopoems and surrealistic plays, to documentary theatre and civil rights dramas, and their use in challenging racial and gender hierarchies. Contributors: Brandi Wilkins Catanese, Soyica Diggs, James Fisher, Freda Scott Giles, Joan Wylie Hall, Philip C. Kolin, David Krasner, Sandra G. Shannon, Debby Thompson, Beth Turner and Jacqueline Wood.

From Kadir Nelson, winner of the Caldecott Honor and the Coretta Scott King Author and Illustrator Awards, comes a transcendent picture book in the tradition of Margaret Wise Brown about a lost little bear searching for home. This simple story works on so many levels: as the tale of a bear who finds his way home with the help of his animal friends; as a reassuring way to show children how to comfort themselves and find their way in everyday life; and on a more philosophical level, as a method of teaching readers that by listening to your heart and trusting yourself, you will always find a true home within yourself--and that even when it feels like you are alone, you never really are. Supports the Common Core State Standards